The supporting act

Production House.

Reel commercials and photography — beautiful on purpose, and always in service of what the lead room decides. One eye, hired by the strategy.

01 — The reels Ten-second peeks, on a loop · drag either way · tap for sound

Las Manos de PiedraPIEDRA

The MatchOSSO

Taco Flavour HistoryEl Tizoncito

A Moment’s Thoughtgo green

So Many Questions…IATO

Stella ArtoisThe chalice

Catch-Up 2PIEDRA

El UniformePIEDRA

Kids’n’CookingOSSO

The Trails of The MachineEl Tizoncito

PRIMAL (2026) — a specialty, kept

The house also holds a 3D pipeline — a specialty and a legacy craft, brought out for the brief that asks for the impossible. PRIMAL, the house film, is its proof. The reels above are the working practice.

Ask for it →

02 — The stills Resting on water — steer with the cursor

A chef at the pass, in black and white — The pass, in silverStill 01

Service at speed — a kitchen in motion — Service, at speedStill 02

Boards laid across the counter — The spreadStill 03

A dish finished in flame at the table — The finishStill 04

The table, set — wine poured over the dishes — The table, setStill 05

The cut, seared — The cutStill 06

Cream poured over a plated pasta — The pourStill 07

A skillet finished in open flame — The flareStill 08

“No departments, no hand-offs — the same eye that read the numbers directs the frame.”

The work it serves Meet the lead room →